On Monday, this little bit of exciting news came to light: Bellwether Pictures announced that Joss Whedon (Dr. Horrible, The Avengers) secretly adapted and directed a modern version of Shakespeare’s classic comedy Much Ado About Nothing. Never heard of the backing studio Bellwether Pictures? A press release explains its origin; it’s “a micro-studio created by Joss Whedon and Kai Cole [Whedon’s wife] for the production of small, independent narrativesfor all media, embracing a DIY ethos and newer technologies for, in this particular case, a somewhat older story.” The film was shot in black and white over the course of just twelve days in “exotic” Santa Monica, California. It stars many of Whedon’s past collaborators from Firefly, Dollhouse, and his upcoming horror film Cabin in the Woods. The two leads are Amy Acker (Dr. Claire Saunders from Dollhouse) and Alexis Denisof (Wesley Wyndam-Pryce from Buffy and Angel) as Beatrice and Benedick, “the world’s least likely lovers headedfor their inevitable tumble into love.” The supporting cast includes Nathan Fillion (Firefly) as Dogberry, Clark Gregg (The Avengers) as Leonato, Fran Kranz (Dollhouse) as Claudio, Reed Diamond (Moneyball) as Don Pedro, and Sean Maher (Firefly) as Don John. Says Whedon, “The text is to me adeconstruction of the idea of love, which is ironic, since the entire production is a loveletter – to the text, to the cast, even to the house it’s shot in.”
Whedon made the decision to move ahead with his passion project while filming The Avengers in New York. After the Marvel filmed wrapped, he planned to celebrate his 20th anniversary with his wife Kai by taking a break from work and going on vacation. Kai ultimately pushed Whedon into Much Ado About Nothing and together they financially backed the project, made casting decisions, and shot the entire film inside their home. Kai is an architect and she ended up designing the set and decorating the house.
In an interview with EW, Whedon described his take on the Shakespearean play. “I had trouble at first, because it had the words “About Nothing” in the title. So I was like, “I don’t have anything to say about nothing.” But really when I started pouring over it, I got a very strong sense of how a little bit dark and twisted it is. The movie’s in black-and-white partially because it’s kind of a noir comedy. I realized that everybody in it behaves like such a dolt — an articulate dolt, but a dolt. I fixated on this notion that our ideas of romantic love are created for us by the society around us, and then escape from that is grown-up love, is marriage, is mature love, to escape the ideals of love that we’re supposed to follow. So that clicked for me when I realized, oh, I get why it matters everybody goes through the weird machinations we go through.”
Actor Sean Maher shed some more light on what to expect with EW. “It does feel contemporary. The direction we were getting from Joss was to make it was real, especially with the language, not to be big and Shakespearian, but to bring it in and be intimate and bring it as close to a realistic way of speaking as we could. And Joss’ house is just magnificent. Not ostentatious by any means, but just a maze of halls and so many different bedrooms and this pool that overlooks the Santa Monica mountains. It’s gorgeous, just the most perfect setting. Everybody who was there, so desperately wanted to be there and you felt that. It really felt like we were doing something great. So I’m excited.”
And so now I bet you’re wondering when the general public will be able to see Whedon’s rendition of Much Ado About Nothing. “I haven’t heard anything yet,” he told EW. “I’ve just been enjoying the Internet response. We’re feeling our way on this one, just like Dr. Horrible. I do mean it to be in theaters. But we haven’t gotten any real plan except [going to] film festivals because it sounded like it would be festive.”
There you have it. The veil has been lifted from Joss Whedon’s passion project, a modernized version of a classic Shakespeare play. While we wait for official announcements concerning the film’s distribution, feast your eyes on two images from the production featuring Sean Maher and Amy Acker plus a a still from the official movie website. The full press release sits after the break.
[Via MuchAdoTheMovie; EW]
Santa Monica, CA (October 24th, 2011)
Bellwether Pictures proudly announces the completion of principal photography on MUCH ADO ABOUT NOTHING, a modern version of Shakespeare’s classic comedy adapted and directed by Joss Whedon (Marvel’s upcoming THE AVENGERS, “Dr. Horrible’s Sing-Along Blog”). Filmed in just 12 days entirely on location in exotic Santa Monica, the film features a stellar cast of beloved (or soon to be beloved) actors – some of them veterans of Shakespearean theater, some completely new to the form. But all dedicated to the idea that this story bears retelling, that this dialogue is as fresh and intoxicating as any being written, and that the joy of working on a passion project surrounded by dear friends, admired colleagues and an atmosphere of unabashed rapture far outweighs their hilariously miniature paychecks. MUCH ADO ABOUT NOTHING is the first feature from Bellwether, a micro-studio created by Joss Whedon and Kai Cole for the production of small, independent narratives for all media, embracing a DIY ethos and newer technologies for, in this particular case, a somewhat older story.
Shot in glorious black and white by Jay Hunter (PAPER HEART, “Dollhouse”), the film stars Amy Acker (CABIN IN THE WOODS, “Alias”) and Alexis Denisof (“How I Met Your Mother”, “Angel”) as Beatrice and Benedick, the world’s least likely lovers headed for their inevitable tumble into love. As Joss Whedon puts it: “The text is to me a deconstruction of the idea of love, which is ironic, since the entire production is a love letter – to the text, to the cast, even to the house it’s shot in.” The supporting cast includes Nathan Fillion (“Castle”, WAITRESS) as Dogberry, Clark Gregg (AVENGERS, IRON MAN) as Leonato, Fran Kranz (CABIN IN THE WOODS, “Dollhouse”) as Claudio and Reed Diamond (“Franklin & Bash”, MONEYBALL) as Don Pedro. The film was produced by Whedon, line-produced by Nathan Kelly and M. Elizabeth Hughes, and co-produced by Kai Cole and Danny Kaminsky. The super-impressive cast is listed below. Full tech credits (for the extraordinary crew) will be up shortly. The film should be completed by early spring and headed for the festival circuit, because it is fancy.
www.muchadothemovie.com
muchadothemovie@gmail.com
The Players:
Amy Acker – Beatrice
Alexis Denisof – Benedick
Nathan Fillion – Dogberry
Clark Gregg – Leonato
Reed Diamond – Don Pedro
Fran Kranz – Claudio
Sean Maher – Don JohnSpencer Treat Clark – Borachio
Riki Lindhome – Conrade
Ashley Johnson – Margaret
Emma Bates – Ursula
Tom Lenk – Verges
Nick Kocher – First Watchman
Brian McElhaney – Second Watchman
Joshua Zar – Leonato’s aide
Paul M. Meston – Friar Francis
Romy Rosemont – The Sexton
And introducing Jillian Morgese as Hero