Tag Archives: Discover new music

Discover new music: Lauriel beats to her own drum in ritualistic “Rival”

It’s about time we discovered new music together. Today’s featured artist is Lauriel, a 22-year-old singer-songwriter who just dropped her very first music video. The highly stylized clip for poppy “Rival” features Lauriel donning all kinds of fantastical pieces of wardrobe that you might find inside Lady Gaga’s closet. As soon as one Lauriel claims power amongst her tribal inner circle, another comes into play and takes over by violently taking out her predecessor. But what does it all mean? I spoke directly with the source:

Lauriel likens “Rival” to “Fight Club as a Greek tragedy.” Interestingly, she explains that her influences “are not necessarily musical and were more colors, and historical time periods, art, literature, and my own experiences.” The song is very personal for the young artist. “It’s about doubt and battling the voice in your head that tells you you can’t do something, or you’re not good enough. The bridge was a big moment for me because it’s me talking directly to that internal nay sayer–‘I’m in control here, I’ll survive and persevere without doubt but you can’t carry on unless I give you power to.’ That’s what the whole song is about, that power struggle. I think the video reflects that.”

With that said, Lauriel hopes viewers will watch the playful yet harrowing visuals and interpret it for themselves. “I wasn’t thinking about messages, I figured people would take what they want to from it,” she adds. “Some people will see it very literally, some will want it to open conversation about suicide, some people will see it as rebirth, throwing out the past and old selves that you don’t want to be anymore. I think it’s all accurate in a way, with art there’s generally no right answer. It’s just meant to make you feel and think.”

Whatever you make of it, there’s no denying its gripping vulnerability as Lauriel falls in and out of dramatized versions of herself. Concerning her musical talents, she says she grew up listening to British bands like Queen, The Beatles, and Sex Pistols, as well as old soul bluesy jazz types like Billie Holiday, Otis Redding, Etta James, and Aretha Franklin. She looked to these artists for inspiration when making the soulful, dramatic “Rival.”

Want to hear more from Lauriel? Visit her SoundCloud page to browse a mixtape that’s currently in early stages. Perhaps with positive feedback she’ll be further inspired to release more music that’s as raw and dynamic as what we’ve got here. In the meantime, Lauriel pursues a writing career in film and TV; do you think “Rival” could be a promising seed for a future feature? Sound off in the comments below!

Discover new music: Lucy Schwartz closes new “Arrested Development” with infectious “Boomerang”

As the final episode of the new season of Arrested Development fades to white and then black with credits a memorable track pops onto the scene. As you sit there stunned that all 15 are complete you find yourself bouncing to the infectious track but you’re stiff in contemplation unable to reach for Shazam wishing there were more episodes to satiate your need for, well, more. Let me help you…

The track is called “Boomerang” and it’s by singer-songwriter Lucy Schwartz. For you AD fans, if that last name rings a bell you’re not mistaken. Lucy’s father David Schwartz is the series’ composer and therein lies the connection. During the series’ initial three season run, David pushed for her daughter–a self-proclaimed big fan of the show–to contribute in some capacity. Creator Mitch Hurwitz allowed it and Lucy would be the one who sang the “For British Eyes Only” theme and the staple “Mr. F” line that still continues to pop up in the new episodes. In addition to landing the prime final credits sequence slot with “Boomerang,” Lucy for the first time was featured in an episode this season–she makes a quick cameo as the girl in the glasses in George Michael’s band in college.

If you like what you hear in “Boomerang,” you can support Lucy by anticipating her upcoming full-length album Timekeeper out August 6. “Boomerang” is the lead single and is currently available to purchase on iTunes along with another new track “Time Will Tell.” (For a limited time you can download “Boomerang” for free at her website.) She’s been making music for some time now; you can preview her previous full-length releases Winter In June (2007) and Life In Letters (2010) on her iTunes page; there you’ll also find other singles and EPs. Her YouTube channel is also packed with soulful material from over the years. “”Boomerang” doesn’t really fit into my genre, though,” Schwartz admits to Mother Jones. “If you listen to my new album, it’s very eclectic; there’s a banjo song, another one with soul singers.” That can only be a good thing in my book; in addition to the catchy “Boomerang” listeners will experience other sounds from the uniquely talented Lucy Schwartz.

Hurwitz has publicly shared that he’s a big fan of Lucy’s. Obviously he must be for incorporating her sound into his grand experiment that is Arrested Development over all these years. Hurwitz had been following Lucy’s work during AD‘s downtime between ’06-’13 but had only discovered “Boomerang” and its potential to serve as the new season’s outro days before he had to hand in the final edit to Netflix. “This is perfect!” Hurwitz told Schwartz, “Exactly the way I want to end it!” “He got it in [in the episode] just in the nick of time,” Lucy says. Hurwitz gushed to Entertainment Weekly his excitement about Lucy’s upcoming release. “Lucy’s latest album is her Sgt. Pepper,” he says. “Unbelievable. I can’t stop playing it or thinking about it. So brilliant and amazing.”

You want to know what’s really funny about all this? As great and animated a track “Boomerang” is, it also manages to encapsulate a feeling of dread and longing–all AD fans will associate it with the new season coming to a punchy close.

Discover new music: DDFRx

This round you are being introduced to DDFRx (or Daily Dope Fix, and the Rx makes it a prescription “because you are guaranteed to become addicted to their sound” or so they say). The New York-based group consists of producers and rappers, namely beats maker Eric Ficocelli (who goes by the handle The Fics) and rappers Mike.M and R. Crooked Letter. Their latest creation “PAM,” produced by The Fics with creative direction from Corey Zaretsky (Beatstache), can be described as an electric fusion of dance music and hip hop. It’s got a flashy, positively schizophrenic beat that’s sprinkled with catchy samples provided by Kanye West’s “Mercy” and Trinidad James’ “All Gold Everything.” It’s the kind of music you’d want to hear at night clubs precisely when the night reaches that point of ecstasy.

Preview “PAM” in full below and download it for keeps at DDFRx’s SoundCloud page. There you will also find the group’s previously released track “Media Training” which features rhymes from Mike.M. Coming soon is a new Fics beat with Mike.M and R. Crooked Letter taking turns at the mic. As DDFRx continues to expand its exciting sound we’ll follow its steps.

Discover new music: Turbo T. Double

If you’re into the evolving rap/hip-hop scene, Turbo T. Double is a name to look out for. Especially if you’re into Kanye West’s rap collective G.O.O.D. Music. Turbo’s been rapping since he’s ten years old, and now some years later, he’s opened for Big Sean and most recently he’s travelled to Europe to perform internationally. Though his flow is similar to Big Sean’s and even Kid Cudi’s, he definitely has a unique sound that’s worth checking out. His YouTube channel features over 50 clips of him rapping, so you can get a decent sampling over there. It won’t take for you to discover Turbo’s interest in video games, specifically the classic arcade title Street Fighter; see his most viewed video “Gigaton Punch.” To see him in action in the studio, check out this video where he raps over Lupe Fiasco’s “Dumb It Down.” After you’ve checked out his talent on YouTube, head over to his official website to browse and download his varied collection of music.

I had the pleasure of working with Turbo in the past, and I can say without hesitation that he’s a force that will not go unseen in the rap community. He’s been producing tracks for years, but thanks to fan donations and his hard work and dedication to his craft, Turbo is about to really blow up. Need proof? He sent me a behind-the-scenes video for an upcoming track titled “Atoms: The World Is Our Hood.” An accompanied music video is on the way, and it features Turbo along with the same beautiful models ‘Ye used in his Runaway film. The vid is directed by Yemi A.D., another talented collaborator of Kanye’s.

Jump after the break to watch the BTS footage; in it Turbo and Yemi talk about their experience working together and the inspiration behind awesome visuals featured in the music video. Check back here for when Turbo drops the clip in full. Continue reading Discover new music: Turbo T. Double

Discover new music: The Glitch Mob

So I was flipping through the channels the other day and was mesmerized by a commercial for a GoPro HD camera.  To be more specific, I was not so much attracted to the product being marketed but rather the song playing in the background.  After some swift investigation I discovered the song was called “Animus Vox” performed by The Glitch Mob.  I found a link to the full song on YouTube (it’s embedded above) and instantly I became a fan of the three-piece electronic group known as The Glitch Mob.

The LA-based group was formed back in 2006 and today consists of Ed Ma (AKA edIT), Justin Boreta (AKA Boreta), and Josh Mayer (AKA Ooah).  They’ve been touring around the country carrying along equipment that makes tracks like “Animus Vox” sound so very awesome–laptops (with Ableton Live loaded), MIDI controllers, electronic drums and keyboards.  In an interview with Electronic Musician, the band shared their synth-making process.  Ma: “A day of songwriting, like from scratch, would generally start with us loading up a basic kick and snare at a tempo that we wanted, and then laying down a very basic kick and snare as the backbone of what the rhythm would be like. And then we’d just play everything in. Synth parts, bass parts.” … “Essentially, all the songs [on new album Drink the Sea] were written to a point where they were almost like demo tapes. The first phase of our album was like a 10-track album that all sounded like it was made in [Apple] GarageBand. And then when we were done with those 10 songs, we’d go back and redesign the songs. And once the redesigning was done, we went back and we mixed the entire album. So kind of in this multistep stage.”  Transitioning their sound from live performances to recorded music was an important step in the process.  “Almost every melody that you hear on the album has been sampled note for note [for the live show]. That was the only way that we could get the actual sounds of the record to translate live,” shares Ma.  “We really tried to reproduce the record, note for note and percussion sound for percussion sound, as close as humanly possible.”  The result?  Electronic Musician describes Drink the Sea as “mainly [an] instrumental electronic effort that features heavily layered synths, mixed with real bass and guitar, and bolstered by bombastic, cinematic-sounding drums and simple, yet effective melodies.”

There are a ton of electronic groups out there, but The Glitch Mob definitely stands out on its own and is worth a listen; it’s hard not to get hooked to their masterful and sophisticated synths and beats.

Since 2006 they’ve released a number of mixtapes and remixes.  Last summer they dropped their first full-length album; Drink the Sea contains 10 tracks, including “Animus Vox.”  You can preview the entire album, as well as listen to a bunch of their other releases and download free content, at their official website.  While you’re there, be sure to check out their Video section which includes music video remixes and a smattering of live performances.  After the break, I’ve posted two of my favorites: an experimental live performance called “Beyond Monday” that features the band using their equipment and the Tron: Legacy trailer infused with “Animus Vox.”

Continue reading Discover new music: The Glitch Mob

Discover new music: Mark Russell

Last week a good friend of mine introduced me to a brand new artist whose voice will likely take the industry by storm.  Mark Russell is a singer-songwriter at heart, but he can easily supplement his powerful voice with piano keys and guitar strings.  Back in college his talent afforded him the opportunity to open for renowned acts like Avril Lavigne, One Republic, Hanson, and Robin Thicke.  Since then Russell decided to enter the biz as a solo artist under Wright Entertainment Group management, and the musical content that has materialized thus far is simply superb.

Embedded above is Russell’s most recent music video.  In it he performs “I Believe”, a song originally produced by alternative rock band Blessid Union of Souls in 1995.  One day in the studio he teamed up with another client under his management company and started belting out his own version of the inspiring track.  Russell shares, “In the spirit of sharing charity, I wanted to give away this song in hopes that those of you who have experienced tragedy this year might find some comfort in it, and perhaps the rest of us can be re-inspired to reach out and do something good.”  Download “I Believe” for free here.

What makes Russell stand out is that he sings from the heart, and you can feel his emotions pour out of the lyrics (thanks to his strong voice) and the instruments he plays.  He’s got a very rustic, fresh vibe to his look and sound; artists with qualities like these are always welcome to jumpstart an industry crammed with uniformity.  Russell has the ingredients to become an immensely popular and successful pop-rock musician with his impressive vocal range.  It only takes a few beats in his rendition of “I Believe” to hear it.

Be sure to check out his YouTube page if you like what you hear in this video.  There you’ll find original content plus a notable acoustic cover of Taio Cruz’s “Dynamite”.  Russell is currently bringing his act to locations around the country.  Keep tabs on his official web site and Facebook page to follow his whereabouts and other updates.  If you’re digging his talent as much as I am right now, spread the word and let’s get Mark Russell to start climbing the charts.

[Thanks for the tip, Matt]

Discover new music: LIGHTS

Are you a fan of Owl City (aka Adam Young)?  If so, you will enjoy LIGHTS.  To put it another way, if Adam Young was reincarnated as a girl, he’d be LIGHTS.  Somehow, someway Young discovered LIGHTS, added her to his Spring Tour 2010 lineup, and she’s gained in popularity ever since.

Born Valerie Anne Poxleitner, LIGHTS legally changed her name to Lights Valerie Poxleitner and started her music career back in 2002.  She’s a 22-year-old Canadian singer-songwriter and has that same synth-pop vibe that Young so expressively gives off in his music.  She says her influences include Björk, Phil Collins, and ABBA.  She’s known to cover other artists like Coldplay, Architects, and Collins.

In 2008 she came out with her debut six-track EP called LIGHTS.  “Ice,” “Drive My Soul,” and “February Air” have music video counterparts, and they’re each embedded after the break.  One year later she released a second EP called Saviour.  It includes 4 tracks; two of them are remixes to the song “Saviour.”  That track also has a music video.  In 2009 she finally dropped her first album, The Listening.  The 16 track album contains mostly a combination of songs from the two EPs, plus a few new selections.  Later that year she dropped a third EP; The Ice Pack contains the album version plus six remixes of the song.

And that brings us to today.  Having met her musical soulmate in Adam Young while on tour with Owl City, what better way to celebrate their uniting than with a collaboration?  Yesterday her fourth EP found its way to iTunes; this version of Saviour includes the original track plus an Adam Young remix and a new music video to go along with it.  Listen to “Saviour (Adam Young remix)” below and check out the music video for it (and the others) after the break.

[audio: LIGHTS – Saviour (Adam Young Remix).mp3]

So, what do you think?  Does this world long for a female counterpart to Owl City?  I think it does.

Continue reading Discover new music: LIGHTS

Discover new music: Chiddy Bang

Chiddy (emcee) and Xaphoon Jones (DJ/producer) make up Chiddy Bang, a new rap/electronica duo outta Philly.  Their first EP titled Opposite of Adults drops February 22.  Head over to their MySpace page to listen to a few more tracks and snag a free download.  They sound real good and from the looks of their first music video called “Opposite of Adults” they are unique (that’s the trait you need in order to make it in the big leagues these days, right?).

[Via KanyeBlog]

Discover new music: Die Antwoord

It’s time for another installment of “discover new music.”  Meet the South African group named Die Antwoord.  They are strange, for lack of a better word, but they are goodstrange.  Their music is very ecclectic, and well, different.  It can be described as rap electronica, I guess.  The Die Antwoord “crew” is: “Zef rap-rave master” Ninja; “fre$h, futurisik rich bitch” Yo-landi Vi$$er; and “beat-monster” DJ Hi-Tek.  They describe themselves as “a loveable, mongrel-like entity made in Zuid Afrika, the love-child of many diverse cultures…all pumped into one wild and crazy journey down the crooked path to enlightenment.”

Die Antwoord is blowing up on the Internet (via MySpace, YouTube, etc.) so they’re worth a listen.  Their first album (a mixtape of sorts) will be available this February on their website for free and they beging touring Europe in April.  So..what do you think?

*Warning: Their lyrics contain many expletives.