If you’ve managed to binge all the way through House of Cards season 2 this weekend then you were sent off with some exciting news. The second season of another Netflix-exclusive hit series, Orange is the New Black, now has a launch date. A title card at the end of the 13th episode of HOC exposed the date: OITNB returns with 13 new episodes this summer on June 6. Watch a brief teaser above featuring flashes of some of your favorite Litchfield Prison inmates. After her nasty outrage at the end of season one, it looks like Piper Chapman won’t be getting out of there any time soon. Hooray for us.
“The road to power is paved with hypocrisy and casualties,” slithers Kevin Spacey’s Frank Underwood in this first-look trailer of House of Cards season 2. The butchery begins February 14 when 13 new episodes of the political thriller release on Netflix.
Quick update on Netflix’s Daredevil: Drew Goddard (director of Cabin in the Woods; Cloverfield, World War Z, Buffy, Angel, Alias, Lost writer) has signed on to write and direct the first episode of the Netflix/Marvel live-action original series. He will also serve as series showrunner and executive producer across all 13 episodes that are set to debut on the streaming service in 2015.
Daredevil is one of four Marvel superhero series coming to Netflix (Jessica Jones, Iron Fist, and Luke Cage are also on the way) and they will all culminate in an Avengers-style mini-series event dubbed The Defenders. Picking up Goddard is a great way to start this massive project; the writer/director/producer is widely accepted by fanboys and girls for his work on Joss Whedon and J.J. Abrams classics.
Netflix’s Emmy award-winning series House of Cards returns for its second season on February 14. Kevin Spacey and Robin Wright return as the politically power-hungry Francis and Claire Underwood. Just like before, all 13 episodes will premiere the day the streaming service launches the new season. As you prepare your binge schedule today, check out the new season 2 synopsis:
In the second season, Francis (Spacey) and Claire (Wright) Underwood continue their ruthless rise to power as threats mount on all fronts. Zoe Barnes (Kate Mara, “American Horror Story”), an up-and-coming reporter and Francis’s former paramour, is inching closer to the truth about his crimes. President Walker’s (Michel Gill, “The Good Wife”) billionaire confidante Raymond Tusk (Gerald McRaney, “Southland”) demands that Francis reciprocate political favors or face retribution. And Claire must confront the increasing glare of the spotlight as it eats away at her and Francis’s once private existence. The Underwood’s must overcome these dangers — past and present — to avoid losing everything, regardless of collateral damage they leave in their wake.
Jump after the break to watch a sizzling promo. (Click here for more…)
If ABC’s Agents of S.H.I.E.L.D. wasn’t enough for Marvel fans, The Walt Disney Co. and Netflix are collaborating on four live-action series to air on the streaming service beginning in 2015. Each series will star a popular Marvel superhero: the first hero coming to the small screen is Daredevil, followed by Jessica Jones, Iron Fist, and Luke Cage; click those links to learn more about each of them. A statement promises these four series will take Netflix subscribers ”deep into the gritty world of heroes and villains of Hell’s Kitchen, New York.” Now get this: after the four, thirteen episodes series have aired they will culminate in “Marvel’s “The Defenders” mini-series event that reimagines a dream team of self-sacrificing, heroic characters.” It’s like what Marvel did in the movies with all those films leading up to The Avenges. This is neat stuff right here.
“This deal is unparalleled in its scope and size, and reinforces our commitment to deliver Marvel’s brand, content and characters across all platforms of storytelling. Netflix offers an incredible platform for the kind of rich storytelling that is Marvel’s specialty,” said Alan Fine, President of Marvel Entertainment. “This serialized epic expands the narrative possibilities of on-demand television and gives fans the flexibility to immerse themselves how and when they want in what’s sure to be a thrilling and engaging adventure.”
“Marvel’s movies, such as ‘Iron Man’ and Marvel’s ‘The Avengers’, are huge favorites on our service around the world. Like Disney, Marvel is a known and loved brand that travels,” said Netflix COO Ted Sarandos. ”With ‘House of Cards’ and our other original series, we have pioneered new approaches to storytelling and to global distribution and we’re thrilled to be working with Disney and Marvel to take our brand of television to new levels with a creative project of this magnitude.”
As Disney and Netflix begin work on this massive production, stick it here for the latest developments.
Now here’s a cool clip that nicely summates Netflix’s rise in power with original programming. As previously reported, the streaming service collected 14 Emmy nominations among three of its shows; namely Hemlock Grove (2 nods), Arrested Development (3), and House of Cards (9). The Kevin Spacey political drama even managed to break into the Outstanding Drama category to be seated among popular cable series like Breaking Bad, Mad Men, and Homeland.
“Take a step back, look at the bigger picture; we have the opportunity to make history here,” says Spacey as House of Cards‘ Francis Underwood. With so many nominations, Netflix is poised to make a name for itself when the Emmys air September 22. Whether these series win or lose at the awards show, Netflix has already changed the game and that’s what makes this teaser feel so…empowering.
It’s been a long time coming and now the Netflix feature you’ve been waiting for (whether you realized it or not) is finally here: personal profiles.
So you’re a Netflix subscriber and you share your account with family and friends. Say you’re into action films like Thor and your little brother is high on animated comedies like Phineas and Ferb. Netflix will recommend both action movies and animated series aimed at children to you. Sure, it’s not the end of the world, but wouldn’t it be better and more efficient if the streaming service was able to compartmentalize the shows you watch and are into versus the other type of programming your younger sibling might be addicted to?
Now, Netflix subscribers can create his or her own profile (no extra fees required) to enable “a uniquely personalized experience based upon their individual watching habits, their personal favorite shows, and favorite genres, all driven by Netflix recommendation technology.” Up to five profiles can be created per account. When you log into your Netflix account, you can select which profile you’d like to jump into and you’ll be presented with recommendations based solely on the content you watch. Brilliant! Netflix posits that you can also set up profiles headlining various genres like “Date night” or “Hanging with the bros.” You even have the option to personalize your profile further with a fun profile picture; and if you choose to link your Facebook account to your Netflix profile your picture will automatically show up as your Facebook profile picture.
Netflix started rolling out this new feature on August 1 and the company says profiles will be accessible globally for all subscribers by August 15. New members will be notified about creating profiles during the sign up process; existing members can add profiles on Netflix.com and on the PS3 Netflix app. According to the company, “profiles can be accessed on most devices that support Netflix, including the Netflix website, PlayStation 3 and Xbox 360, iPad, iPhone, Apple TV and other iOS devices, and most smart TVs. Additional devices will be added over the coming months.” So if you don’t see it yet on your device, patience.
After the break, a video demonstration. (Click here for more…)
Netflix is on a roll with pushing out exclusive content. First it was Lillyhammer with Steven Van Zandt, next it was David Fincher’s House of Cards with Kevin Spacey, then came the resurrection of Arrested Development, and now get ready for Orange is the New Black from Weeds creator Jenji Kohan. It’s loosely based on Piper Kerman’s memoir Orange Is The New Black: My Year In a Women’s Prison. Over the course of 13 episodes–all available simultaneously on Netflix starting July 11–viewers will witness a fish-out-of-water story following Taylor Schilling (The Lucky One) playing a version of Piper Kerman, a woman who all of a sudden finds herself locked behind bars. A synopsis follows with a trailer posted after the break.
Created and executive produced by Jenji Kohan (“Weeds”) and based on the U.S. best-selling memoir of the same name by Piper Kerman, the comedic drama starring Taylor Schilling follows engaged-Brooklynite Piper Chapman (Schilling) whose decade-old relationship with drug-runner Alex (Laura Prepon) results in her arrest and year-long detention in a federal penitentiary. To pay her debt to society, Piper must trade her comfortable New York life with fiancé Larry (Jason Biggs) for an orange jumpsuit and a baffling prison culture where she is forced to question everything she believes and form unexpected new alliances with a group of eccentric and outspoken inmates. (Click here for more…)
It will never get old celebrating the comeback of cult classic comedy Arrested Development. Let the good times ride with these new AD clips featuring creator Mitch Hurwitz,the all-star cast, and some behind-the-scenes footage. Embedded above you’ll hear from the lot of them and get to see just how excited they all were to bring the band back together. After the break catch featurettes on characters like George Michael, Gob, Buster; plus, get an inside look at how the show’s wardrobe department works and the many challenges they faced in making the new season. (Click here for more…)
Hemlock Grove, Eli Roth’s horror series produced for Netflix is coming back for more. On Wednesday the streaming service renewed the series based on Brian McGreevy’s gothic horror novel for a 10-episode second season to premiere all-at-once sometime next year. Chic Eglee–a veteran TV producer who’s worked on shows like The Walking Dead, Dexter, and The Shield–is joining Hemlock Grove as an executive producer in season 2.
Executive producer Roth on the renewal: “The worldwide fan response to Hemlock Grove was phenomenal. Netflix members loved the potent combination of sexy monsters, mystery, and the dark family soap opera that ended with a huge twist, leaving audiences worldwide totally shocked. Season One was just a warm up for what we have in store for season two. Get ready to be scared in ways you never expected.”
Netflix VP of Original Content Cindy Holland: “In its first season, Eli, Brian, [exec producer] Lee [Shipman] and the team did an incredible job of introducing viewers to a unique world of memorable charactersChic’s addition to the show, and his experience on such fan favorites as The Shield, The Walking Deadand Dexter, will heighten the intensity of the mystery that grips Hemlock Grove.”
Warning: Do not proceed if you haven’t finished watching the new season of Arrested Development. Spoilers ahead; you have been warned.
Netflix wants more, Imagine Entertainment wants more, and obviously so does series creator and mastermind Mitch Hurwitz. On May 26 Arrested Development returned after a seven year hiatus with 15 new episodes. The new season ends with without much resolution and this is by design, reveals Hurwitz. In a postmortem interview with Vulture, Hurwitz discusses exactly why so many plot points and character arcs were left up in the air.
The initial idea for these new episodes was to reset things. Let’s show what happens to this family, who were starting to make progress as human beings, when they decide to go it alone. Part of the theme of this thing is that we do need our families. Our families are attached to us whether we like it or not, in all these mysterious, invisible ways. It’s somewhat allegorical but we see that they’ve all affected each other’s lives in really profound ways for the negative because there’s no communication between them to speak of. So in one sense that was the theme, but in another way it really was just setting up the future. If the pilot was about their lives falling apart, then this was designed to be the first act of a larger story about winding everybody up, getting everybody to a point of peril and then having a jumping-off place for the next story where they all come together.
Whether it’s a movie or another season on Netflix, Hurwitz has a plan for what’s to come next. As far as we know, Lucille Austero aka Lucille 2 is dead and the impetus for the next Bluth adventure will be a murder mystery.
That really is the idea. Everybody’s gotten their lives into a state of peril and everybody said, “To hell with this family,” and Michael said “I’m done with all of you,” and then — Buster is arrested for murder! Now what do they do? Now they have to come together or let their baby brother go to the chair. We’re sort of resolving or ending the season with both an emotional story and a plot story. The plot is that Buster’s been arrested for the murder of Lucille 2. And think about it, all the Bluths have a relationship with her. One of the main reasons we were kind of obsessed with telling the story in the right order is because we wanted to slowly reveal not only that Lucille 2 was gone and that she died, but that they all had ways in which they were connected to her that could either look like motives or could exculpate some of them. But they’re all connected to this woman who disappeared … It’s always been a show that dealt with a lot of big plot points, stealing the Queen Mary and all these off-the-wall things. The more important stuff is really what’s going on in their hearts and minds. That’s what the Michael–George Michael thing is about.
When can fans expect the next chapter in the story? It’s all up to the talent and their inherently conflicting schedules.
Whatever the next step is, I will say that by design the Bluths will come together. They’re all going to be together. Now it’s a question of what’s the most efficient way to do that, how do we make that happen and when do we make that happen? It certainly won’t be another seven years. If we do it, we’re going to do it soon while we’re all still alive. While we’re all still sensate. A lot of it has to be worked around John Beard’s schedule.
I highly recommend you jump over to Vulture to read the Hurwitz interview in full; in addition to talking about the future of the show, he also discusses the intensive creative process behind making the new season, Franklin’s absence, the return of Ben Stiller as Tony Wonder, making Ann Veal a more substantial character, the idea behind the Fantastic Four musical, the many easter eggs, George Michael’s almost chicken dance, and why ostriches.
Also this week, Hurwitz spoke to the press at large about making more Arrested, responding to reviews, finally revealing Michael’s late wife Tracey Bluth in a flashback, going back on his idea of watching the new episodes out of order, the inspiration behind Terry Crews’ Herbert Love, and he shares a scene that didn’t make the final cut involving Mitt Romney and George Clooney. In fact, he also blurted out that there are tons of extra footage that he hopes will eventually see the light of day. “We have a lot of material that we’re planning on putting out on Netflix at a later time, probably, to tie in there.” Consume all the juicy quotes at Entertainment Weekly.
Bonus! Pop after the break to watch behind-the-scenes featurettes with Hurtwitz, Portia de Rossi (Lindsay Bluth), David Cross (Tobias Fünke), Jessica Walter (Lucille Bluth), and Henry Winkler (Barry Zuckerkorn). Also there you’ll find a Q&A clip with some of the cast and a look at the walk-on contest winners. (Click here for more…)
In case you’re putting off watching all 15 episodes of the new season of Arrested Development, I’ll be careful not to spoil things here.
And so it came and went. On May 26 Netflix released an entirely new batch of Arrested Development episodes that played out quite brilliantly; I consider them to be some of the most complex, layered & brilliantly designed episodes ever produced for any series spanning the drama and comedy genres. Even more so than the original three seasons, these new installments beg to be rewatched again and again.
The consensus is like this: the majority of long-time AD fans absolutely loved the new episodes while critics gave mixed reviews. The New York Times bashed the whole experiment starting with the line, “Chalk one up for the Internet: It has killed Arrested Development.” But in my opinion, the NYT review must be taken with a grain of salt since the piece’s writer had only watched the first 8 of 15 episodes before “deadline” arrived. Fans would ferociously argue that all 15 must be screened before an appropriate review could be conjured; jokes set up in episode 1 are not unlocked until the final episode, in fact. A more delicate review can be found over at The Atlantic; “Hurwitz et al. have bequeathed to us something that doesn’t really have a name, or a meaningful precedent: not a series, or a movie, or even a mini-series, but rather a single, eight-hour work of dada televisual art,” writes Christoper Orr. It’s true–what creator Mitch Hurwitz did here is something so unusual and unique that it’s hard to categorize it into a single genre or type.
No matter which way you see it, Netflix has confirmed that the May 26 launch Arrested Development was a great success. “It’s been huge, just as we had hoped,” Netflix CEO Reed Hastings told CNBC in a televised interview. When pressed about sharing numerical results, Hastings held back. “Netflix is about being able to watch when you want, not having to watch at a certain time like linear TV is. So we’re really not focused on the day one ratings, it’s really over the first year.” So perhaps by next May we will have a better idea as to how the new episodes performed for the streaming service in terms of how many people watched and how many new subscribers the company picked up along the way.
This brings us to the big question fans ’round the world are wondering: is there more where this came from? AD season 4 ends with many plot points still up in the air, but this shouldn’t have come as a huge surprise for most. Leading up to the launch star Jason Bateman spilled that these new installments serve as “simply just the first act of what we hope to continue and complete in a movie, which would [serve as] Act 2 and 3. These episodes set that up. One does not work without the other.” He added, “There is certainly a satisfying conclusion to these episodes, if for some unfortunate reason the movie does not happen. But [the episodes and the movie] are all meant to work within each other as a hybrid package of Arrested Development stuff.”
Since the new season launched, Netflix’s Hastings and someone high up in the AD camp commented on the series’ future. “Arrested is unique, because that’s really up to the talent. If the talent were willing to do more, and interested in that, I’m sure we would be willing,” said Hastings to CNBC. And then in an interview with Deadline, Imagine Entertainment co-founder Brian Grazer said, “It’s up to [Netflix Chief Content Officier] Ted [Sarandos]. If Ted is into it, we would be very excited to pursue it.” Added Imagine TV president Francie Calfo, “It’s also up to Mitch, who is probably resting right now as he put everything he had into these episodes and hasn’t had a chance to think beyond that.” When asked about the potential of the long-imagined AD movie Grazer simply stated, “We’re hoping that we could do that; the popularity of the series will inform that decision.” So in sum, Imagine (the producers) and Netflix (the content distributor) are certainly interested in bring the gang back together to make more Arrested whether it’s another season or a movie. First, Mitch must do what he does best and come up with more character arcs and interweaving plots to continue the story; and second, the actors must make time in their busy schedules to reunite again.
As we wait (again) to learn the fate of Arrested Development, don’t lose sight of what’s right in front of you and available now.
We made it. Seven years after it was cancelled and banished from network TV, cult comedy Arrested Development is not making a huge mistake by coming back for another season consisting of 15 brand new episodes. All of them will be made available for streaming on Netflix at once when the clock strikes midnight (PT) / 3AM (ET) on Sunday, May 26. Creator Mitch Hurwitz recommends you watch the episodes in order, at least during your initial binge marathon. Each installment intentionally follows a single member of the Bluth clan but don’t fret–characters will weave in and out of other characters’ storylines and the entire bunch will congregate at least twice over the course of the season. Other things to look out for: you will witness the same scenes multiple times but they will play out differently and you will learn more context each time because they will be told from different character perspectives; also, these episodes serve as one giant setup for more AD in the future, whether it’s another season or the long dreamed about feature film.
Relive the journey of Arrested‘s anticipated comeback here. After the break, watch four teaser clips taken from the new batch; G.O.B., Lucille, Maeby, Lindsay, bees and an ostrich are all involved.
Ladies and gentleman, it’s the final countdown. Grab some bananas and blue paint and let’s (almost) break Netflix!
Update: AD creator Mitch Hurwitz (a man who obviously knows to always leave a note) posted to Facebook a picture of a handwritten letter made out to “friends, fans, supporters, detractors, haters, enemies, and arch enemies.” In it he acknowledges everyone who supports the show and he is thankful for the opportunity to bring these characters back to life. The note is posted in full after the break. (Click here for more…)
Whatever you’re doing right now, STOP IT. Stop it at once and click play to catch your very first glimpse into the new batch of Arrested Development episodes coming to Netflix just two weeks from today. The Bluths are back, and it is so guaranteed their long-awaited return will put the biggest smile on your face.
Arrested Development premires on Netflix with 15 brand new installments all at once on May 26. It’s the final countdown.
It’s officially May which means we can now say this: Arrested Development returns this month! In anticipation of the return of the short-lived cult comedy, Netflix is going all out with an attractive ad campaign featuring images and taglines that evoke some of the most memorable bits from the series’ original run. You can sort through it all below; gallery #1 includes some laugh-out-loud promo posters while gallery #2 contains character portraits. Also, the storage container has sprung open (see above!).
Once you’re done there, you’re going to want to hop after the break to watch a BRAND NEW CLIP starring the dynamic duo Buster and his overbearing mother Lucille.
Arrested Development launches on Netflix with 15 new episodes all at once on May 24.
Following Lillyhammer and House of Cards, Netflix’s next foray into original programming is here. Hemlock Grove, from Eli Roth (Hostel) and based on Brian McGreevy’s 2012 novel of the same name, is a horror mystery series involving murder and monsters. On April 19 all thirteen episodes were made available on Netflix and if you’re a subscriber you can binge-watch ‘em all at anytime. Eye the freakishly awesome poster above, and then get a taste of what’s in store with a red-band trailer, a teaser, and arguably the most “realistic” looking werwolf transformation sequence you have ever seen. (Click here for more…)
Arrested Development returns with all-new episodes on (drum-roll please) May 26, 2013.
Netflix issued a press release on Thursday expressing the long-awaited news. In addition to announcing the release date, the streaming company increased the episode order to a grand total of 15, way up from the originally planned 10 installments. Just like it did with its last premiere of original programming in House of Cards, Netflix will make all 15 episodes of Arrested Development available at the same time precisely at 12:01AM PDT on Sunday, May 26. Take note: the new season premieres Memorial Day weekend so fans will have plenty of time to marathon it all before the work week/school resumes on Tuesday.
Ted Sarandos, Chief Content Officer for Netflix: ”Arrested Development is now widely viewed as one of the top TV comedies of all time and Mitch Hurwitz is bringing it to Netflix in a brand new way, crafted for the on-demand generation that has come to discover the show in the years since it last appeared on TV. The highly anticipated return of this show is sure to make history all over again.”
Series creator and executive producer Mitch Hurwitz: ”Ted said that? Wow. Well don’t print this obviously, but he’s going to be immensely disappointed. In truth we are doing something very ambitious that can only be done with Netflix as partners and on their platform. Finally my simple wish for the show is coming true: that it be broadcast every second around the clock to every television, computer or mobile device in existence.”
In case you didn’t know… Arrested Development centers around Michael Bluth (Jason Bateman) and his eccentric family comprised of his son George Michael (Michael Cera), his father George Bluth Sr. (Jeffrey Tambor), his mother Lucille (Jessica Walter), his brothers George Oscar Bluth II (Will Arnett), Buster Bluth (Tony Hale) and sister Lindsay Funke (Portia de Rossi), and Lindsay’s husband Tobias (David Cross) and their daughter Maeby (Alia Shawkat). With the new episodes, each installment is dedicated to a different character’s point of view. And all of it is a major set up for a feature length film which is still in the works.
I don’t have a trailer for you yet (there may never be one since Hurwitz is keeping such a tight lid on the plotlines), but you can eye the first promotional poster above. I imagine the entire Bluth clan locked inside that bright orange shipping container with Gob trying his mightiest to bust them all out. It reads, “The Final Countdown Begins.” Celebrate with an appropriate scene after the break. (Click here for more…)
Netflix already does a great job at recommending to its users TV shows, movies, and documentaries based on what you watched in the past and the ratings you give the content you watch. This week the streaming company launched a new way to discover content with a social spin. Subscribers can now link their Facebook account with Netflix to see what their friends are watching. Once the accounts are linked, Netflix users will notice a new “Watched by your friends” row in the streaming site’s main menu as well as a row called “Friends’ Favorites” that features content watched by friends that they have rated with four to five stars. Additionally, friends will be able to see what you watch and rate highly; but if you’ve got a guilty pleasure you don’t want to be shared you can easily click the “Don’t Share This” button in the player. Netflix notes that by default all this social sharing with Facebook friends happens on the Netflix side of things only. If you want your Facebook friends to see what you’re watching on Facebook, you have to dig into Your Account, Social Settings to flip the switch on; there you can also stop sharing altogether if you don’t want to take part in the new social recommendation engine.
Currently the Netflix/Facebook cross-sharing initiative is live in the U.S. Netflix says they will “continue to experiment and improve our social features over the coming months and years.” Click after the break to watch a brief demonstration of this at work across Netflix.com in the browser as well as on the PlayStation 3.
The anticipated Netflix original series House of Cards from David Fincher and Kevin Spacey is now available to stream on Netflix. “This wicked political drama starring Kevin Spacey, Robin Wright and Kate Mara slithers beneath the curtain and through the back halls of greed, sex, love and corruption in modern Washington D.C.,” reads a press release. All 13 episodes (the first two directed by Fincher) are available to stream today.
In a surprise, bold move Netflix is offering up the first episode free for anyone to watch. ”The creative team in front of and behind the camera have delivered a riveting 13-chapter narrative that we’re proud to present to Netflix members today,” said Ted Sarandos, Chief Content Officer of Netflix. “By offering the first episode for free, including to non-members, we are opening up this fascinating world for everyone to see and are confident they’ll want more.” An intriguing move by the company; get hooked after watching the first episode and you’re only option is to become a paid subscriber to see the rest. One wonders if they’ll do the same when Arrested Development comes around this spring?
Watch the first episode of House of Cards at Netflix.