On April 8, A&E renewed Bates Motel for a second season. Same order as before–10 new episodes will premiere in 2014.

A&E president Bob DeBitetto: “Bates Motel has garnered critical acclaim and a loyal audience in its first few weeks. With superb writing and exceptional acting, led by the critically acclaimed performances of Vera Farmiga and Freddie Highmore, we’re incredibly excited to see where Carlton and Kerry take Norma and Norman Bates next.”

On April 26, NBC renewed five dramas including freshmen Revolution and Chicago Fire, Law & Order: SVU (for a fifteenth season), Parenthood (for a fifth season), and Grimm (for a third season).

NBC entertainment president Jennifer Salke: “On the verge of our 2013 fall scheduling decisions, we’re pleased to renew five drama series that will be important to our new season line-up. We’re proud and very appreciative of all of the actors, producers, writers and directors who work so hard to deliver such high-quality work week in and week out. These complex shows represent a broad range of genres and tones, and all of them stand out for us in a television landscape now filled with one-hour series. We’re especially pleased to be renewing Revolution and Chicago Fire — two first-season successes — and there will be more returning series announcements made in the next couple of weeks.”

For more renewal news, jump after the break. (Click here for more…)

After an excruciatingly long four month hiatus, NBC’s Revolution returns on Monday night, March 25. Things will pick up right where they left off: our group of rebels have finally reclaimed long-lost Danny and they are forced to face Monroe’s evil empire that managed to harness some power thanks to the powerful amplifier Rachel built for him under duress.

At the winter TCAs, series executive producer Eric Kripke promised that the second half of the show’s debut season will be “bigger, better, more exciting and [with] more revelations–at the same time maintaining the format.” He added, “Giving [Monroe] power was more about making him an unstoppable force. We start to deliver on the promise of the title. The revolution begins.”

In a more recent interview with EW, Kripke opened up more about what to expect in the final ten episodes of the season. If you thought the first season featured some high-octane, action-packed sequences, things are about to get turned up to a whole other level. “It’s so big,” says Kripke. “It’s action on a level that I’ve truly never seen on network television before. This show is about the characters and it’s about the emotion, and we really keep it grounded, but man, we really blow some s–t up, too.”

In addition to more action, there more also be more revelations. In early April (on the 8th, to be exact), viewers will finally be privy to how the lights went out. “[Rachel] basically just sits there and tells the entire story. That’s it. Literally, she lays it out. It’s absolutely fun,” says Elizabeth Mitchell, Rachel’s portrayer. We’ll also learn more about Rachel and Miles’ past, Aaron will eventually have to face the wife he left behind, and relationship between Neville and his son Jason will be tested.

And now, some goodies. First, flip through a gallery of stills from Monday night’s new episode “The Stand” right here. Next, jump after the break to watch a couple promos highlighting the upcoming episodes, one of which will really pump you up ‘cuz it plays Fall Out Boy’s bangin’ new single “Light ‘Em Up” (how appropriate, yes?). And then there’s a very special clip embedded after the break–you can watch THE FIRST EIGHT MINUTES of the new episode, right here, right now. (Click here for more…)

One web series wasn’t enough, apparently. To help fans of NBC’s hot adventure drama Revolution bide their time during the series’ extended hiatus, the Peacock is introducing a second, this time live action web series featuring the show’s stars David Lyons (General Monroe) and Giancarlo Esposito (Captain Neville). According to EW, “The story will follow Capt. Neville on a mission to hunt down and kill and those who had a hand in the attempt to assassinate Monroe. While on his journey, however, Neville will apparently stumble “upon an even greater conspiracy that could change the course of the Republic forever.”" The five-part web series premieres Monday, February 25 at NBC.com. If you haven’t already, check out Revolution‘s animated web series that focuses on Sgt. Joseph Wheatly that debuted last month. The five released installements can be viewed at NBC, right here. Revolution kicks back into gear March 25.

Update (2/25): Episode 1 is out now! Watch it after the break.

Update 2: (3/18): All four episodes of Enemies of the State are out now. You know where to find ‘em. (Click here for more…)

While Revolution is on its long hiatus until March, here’s something to bide the time. NBC is releasing six webisodes that take place in the world where power is everything imagined by creator Eric Kripke and executive producer J.J. Abrams. The animated installments star Sgt. Joseph Wheatly, the Militia Corporal from the show played by Reed Diamond who turned on our rebel group and shot and nearly killed Charlie Matheson in the underground tunnels leading out of the subway in Philly. The first webisode titled “Wheatley’s Letters: May 7th” is embedded above. A new one will release every Monday through February 18; you can find them at the show’s official YouTube channel. Also available for viewing today is the pilot featuring commentary by Kripke and director John Favreau; watch it here.

Revolution returns March 25 on NBC.

Revolution is on break until March and executive producers J.J. Abrams and Eric Kripke accept the extended with a positive attitude and they think viewers should as well. “When we were doing Lost, that [scheduling] helped us enormously,” Abrams said. “So when the idea came up for Revolution I was really relieved. I thought, and still think, that it will get us to a place where it will be the best possible way for the viewer to watch the show.” Added Kripke: “The little break has afforded us the ability to take a breath, look at what we’ve done, really analyze it, and make adjustments. It also supplied us a natural break point between the season’s first half and second half, and the second half sort of lives as its own continuous piece.” While Kripke maintained that “we learned that we did a lot of things right,” he also admitted that “the pace of the shocking surprises were a little too slow.” So what can viewers expect next?  The “second [half will be] bigger, better, more exciting and [with] more revelations–at the same time maintaining the format.” The shock factor will increase as well.

What else? When Revolution returns this spring, the action will continue “exactly” where we left off. “Giving [Monroe] power was more about making him an unstoppable force,” said Kripke. “We start to deliver on the promise of the title. The revolution begins.” Kripke fed the questions, “Can [the Matheson family] stick together in the face of these overwhelming odds and danger? And can you maintain your soul when you’re a warrior?”

Kripke went on to say that he’s definitely planning ahead for upcoming seasons of the show, but they’re at the “cocktail napkin sketches” state at the moment. “Because [the world is] so expansive, there’s no end to the stories we can tell,” he said.

Revolution returns March 25. Get a glimpse of what’s to come in a new trailer after the break. (Click here for more…)

The Television Critics Association is back for its winter tour. It’s the time of year when the major networks and their shows talk about their fall performance and preview what’s to come midseason and beyond. Of the big four networks, NBC was up first today and man-o-man was the Peacock’s chairman of entertainment Bob Greenblatt happy to see a sea of press because this marks the first time in a long time that his network has something positive to really talk about. NBC’s had a great fall as they currently find themselves the #1 network in the adults 18-49 demographic and #2 in total viewers (still trailing CBS). “What a difference a year makes, right?” he exclaimed toward the crowd packed with press and critics. “I’m going to bore you with statistics because I’m not sure when I’m going to have the chance to do this again.” The major stats are as follows: for the first half of the season, NBC is up 24 percent and 19 percent in the 18-49 demo and total viewers, respectively. The net can thank the ultimate Monday pairing of The Voice and Revolution for their recent success, as well as high ratings for Sunday Night Football and their surging sitcom Go On. In 2012 FOX entertainment president Kevin Reilly accused the heads of the other major nets of having their heads up their asses. Greenblatt responded directly today with the most publicist quote to come out of his panel: “I can guarantee you, we don’t have our heads up our asses,” he said.

Greenblatt and NBC entertainment president Jennifer Salke used the rest of their time to discuss specific shows, new ones and old. Jump after the break for the bullet-point breakdown. (Click here for more…)

The battle for power begins on Monday, November 26 as we head toward the midseason finale of NBC’s buzzy new drama Revolution. So says the promotional artwork whipped together for next week’s pivotal episode titled “Nobody’s Fault But Mine.” Following the Led Zeppelin heavy “Kashmir” episode that aired earlier this week, Charlie, her uncle Miles, Aaron, and Nora have finally made it to Philadelphia  the city where Sebastian “Bass” Monroe has set up camp. Will Charlie (at long last) rescue her captive brother Danny? Will Miles succumb to Monroe’s pressure and rejoin the Republic (as was hinted at in last week’s hallucination)? What is Monroe’s ultimate plan when/if he gains power via the pendent with Rachel’s help? These are the questions you should be asking heading into Monday’s episode. Expect a major cliffhanger at the end–why?–because new episodes won’t return until March 25 and NBC has to leave viewers begging for more during such an excruciatingly long hiatus.

Revolution‘s midseason finale airs Monday, November 26 at 10PM on NBC.

[Image via TVLine]

If you’ve been glued to the intriguing drama Revolution and eccentric but heartfelt comedies Go On and The New Normal, it’s time to celebrate because NBC has granted these three new series full season orders! This means these selected shows will fill out their premiere seasons with new episodes that will run into spring.

NBC Entertainment President Jennifer Salke released the following statement.

“We’re impressed with the imagination and creative direction of the entire team on Revolution, not to mention the immediately strong response we got from the audience. Ordering the full season of this show is a pleasure. Thanks to J.J. Abrams, Erik Kripke, Jon Favreau, and everyone at Bad Robot and Warner Bros. Television for their dedication to making a truly unique series. And I personally love to escape into a world where there is no power, the phone doesn’t ring, and the pace of life slows down — if only for one hour a week!”

“We’re also very proud of our new comedy block of Go On and The New Normal. In partnering with Matthew Perry for Go On, creator Scott Silveri has created a comedy with a highly original voice that deftly combines humor and emotion. And Ryan Murphy and Ali Adler have created a truly unique family in The New Normal that is reflective of the changing dynamics of the world we live in. These shows are both welcome additions to our new lineup!”

If you’re into the ratings numbers, Revolution is averaging 3.6/9 in adults 18-49 and 9.8 million viewers (it’s also been noted as the fall’s strongest DVR performer thus far); Go On is averaging 3.2/9 in the demo and 8.6 million viewers; and The New Normal is averaging 2.2/6 in the demo and 6.0 million viewers.

The network is on a roll this week. In addition to granting the aforementioned FSOs, the Peacock was named the “winner of premiere week” averaging the highest share ratio in the coveted adults 18-49 demographic; they received a 2.9 and that’s up a solid 12% from last fall. The network can thank programming like Revolution, The Voice, and Sunday Night Football for the prize. In total viewers, however, NBC trails CBS and ABC averaging 8.2 million viewers (but that’s up 9% from last fall).

The fates of other new comedies Animal Practice and Guys with Kids hang in the balance. New drama Chicago Fire debuts next week.

Revolution airs Monday nights at 10. Go On and The New Normal air Tuesday nights at 9 and 9:30, respectively.

[Via Deadline; EW 1, 2]

Today NBC kicked off the 2012 Upfronts, an annual event where the big four networks present their upcoming slate of new programming to advertisers and the press. The Peacock unveiled 12 new series coming to the network next season; seven comedies and five dramas. Half will premiere this fall, and the others will wait for midseason. Jump after the break to get more information about all of the new shows including synopses, cast and creator/executive producer listings, and clips.

Also posted after the break is NBC’s 2012-13 programming schedule. The three most significant changes to the schedule include Whitney and Community moving to Friday nights paired with Grimm and Dateline NBC; The Voice gets a second cycle in the fall; and Smash is being held again for midseason.

NBC entertainment chairman Bob Greenblatt explained Community‘s move to Friday: “I know that most people in our industry think Friday is a graveyard but we don’t really believe that. If you don’t build it they won’t come. We got some traction with Grimm, it’s the No. 1 18-49 on Fridays. We thought if we have a base there, let’s see if we can give Grimm a lead-in with these shows that actually have fan bases–including Whitney.” … He added, “[Community] has its faithful audience and they will follow it to the ends of the Earth. And I really wanted to do something to invigorate Friday because we love Grimm. So I thought, let’s move a show where the audience will move with it. I actually look at the positive side of it, although no good deed goes unpunished.”

While The Office and Parks and Recreation were picked up and given full 22-episode full season orders, other comedies like 30 Rock, Community, and Up All Night were handed smaller 13-episode orders; and this has led to speculation about whether or not NBC plans to phase these shows out sooner rather than later. Greenblatt addressed this: “[The Thursday night comedies] have a really strong following [but] they don’t have a large enough audience. They’re still shows that mean something to this network…I think on the Thursday night shows, ‘broad’ is synonymous with ratings…we’re always trying to be broader.” … He added, “a 13-episode order does not mean a death knell to the show.” So fret not, my friends. (5/14 update: It has been confirmed that the upcoming seventh season of 30 Rock will be its last.)

On why the network is saving Smash for midseason, Greenblatt wants the second season to air uninterrupted with not a single hiatus, like FOX started doing with 24 by premiering it in January instead of September. The plan is for the musical drama to produce 15-18 episodes every season as opposed to the standard 22. Also, the network wants accomodate new showrunner Josh Safran (Gossip Girl). Explains NBC’s Jennifer Salke: “New showrunner Josh Safran is coming in–he’s awesome. And we wanted him to get a chance to own [it] and get in there and have an ownership stake in the show — not just put a gun to his head and [tell him], ‘You gotta get going!’ So we wanted him to be able to stand back and have a real creative discussion about what he wants the season to be and be a big part of that.” (Click here for more…)

NBC is allowing J.J. Abrams to stir a Revolution by greenlighting his new sci-fi drama from Warner Bros. TV and Bad Robot. Eric Kripke (Supernatural) will pen the script and together he and Abrams will tell a story described back in September as “an epic adventure thriller.” Since then, however, two new and fuller loglines have surfaced that help generate a grander buzz for the project:

A high octane action drama from J. J. Abrams following a group of characters struggling to survive and reunite with loved ones in a world where all forms of energy have mysteriously ceased to exist.

In this epic adventure thriller, a family struggles to reunite in a post-apocalyptic American landscape: a world of empty cities, local militias and heroic freedom fighters, where every single piece of technology — computers, planes, cars, phones, even lights — has mysteriously blacked out … forever.

Now it’s got your attention, yes? With a pilot pickup, it won’t be long until we get our first glimpse at some of the action. Expect an extended trailer to hit the ‘Net this summer when NBC officially unveils Revolution at the network’s Upfronts presentation.

And for the J.J. diehards, you should also be aware that the CW picked up another new project from the mastermind behind Lost and Fringe. He and One Tree Hill creator Mark Schwahn are developing Shelter, a drama “set at a historic New England summer resort where the new and returning staff attend to the practical, emotional and often comical needs of the guests while navigating friendships, rivalries and romances of their own.”

Update: Deadline reports that Jon Favreau (Iron Man) will direct the Revolution pilot.

[Via EW; Deadline]

The connective tissue tying together these two TV news bites: the pedigree behind the new respective projects come from a show you probably heard of…Lost.

First let’s see what’s up with the creator of the Island. J.J. Abrams has much on his plate already. This TV season he has three shows airing: Fringe (FOX), Person of Interest (CBS), and Alcatraz (FOX) premieres in midseason. He’s also working on the Star Trek movie sequel. But all of this isn’t enough for the mastermind behind some of the greatest shows produced for TV. He’s ready to dip his wand in a new Warner Bros. TV/Bad Robot project and it’s called Revolution. According to Deadline, the show is being described as “an epic adventure thriller.” Since it’s an Abrams project, don’t expect the plot to leak until the man behind the curtain allows that to happen. Abrams has teamed with Supernatural creator and executive producer Eric Kripke for Revolution; Kripke will pen the pilot script which recently got pilot production commitment from NBC. More as the story develops…

In other news, Lost showrunner Carlton Cuse has a new project up his sleeve too. His is titled Stronger and Deadline describes it as “a drama project with spiritual overtones.” Cuse’s partner in crime is author/pastor Rob Bell, and he will serve as co-writer and executive producer. Bell is leaving Michigan’s Mars Hill Bible Church (which he created) to develop the series which was recently sold to ABC. Deadline reports that the show “revolves around Tom Stronger, a musician and teacher, and his spiritual journey as he becomes a benefactor and guide to others.” Stronger won’t hide its autobiographical roots; Bell is in fact a former musician and he will likely incorporate his experiences into the script. Now don’t forget–like his former Lost cohort Cuse is keeping busy with multiple projects in consideration, too. Look out for his ABC civil war drama Point of Honor on the horizon.

[Via Deadline 1, 2]