Category Archives: Music

The Weeknd continues his takeover and drops moody new single ‘The Hills,’ music video inside

Abel Tesfaye has come a long way since his free mixtape days. The underground artist, who first exploded onto the scene under stage name The Weeknd with freebies House of BalloonsThursday, and Echoes of Silence in 2011, is no longer a musical phantom. After repackaging the three tapes into the polished Trilogy release, Tesfaye dropped his debut studio album Kiss Land in 2013. “You will continue to get what you fell in love with, and I will continue to give you what you ask for,” he told his fans in a note that released alongside TrilogyKiss Land did not disappoint as it maintained the same stripped down, intimate essence that captivated fans in the beginning.

What came next for the now 25 year-old Canadian crooner? Standalone track “Often” came out of nowhere last summer tinged with Tesfaye’s signature sensuality. And then his sound went mainstream when pop star Ariana Grande invited him to guest on her hit track “Love Me Harder;” The Weeknd co-wrote the ubiquitous track. Now riding the mainstream waves, he appropriately stuck his stylistic R&B brand on the theatrical adaptation of Fifty Shades of Grey by releasing the movie soundtrack’s single “Earned It.” That track helped said soundtrack reach the number three spot on the Billboard Hot 100.

Today, Tesfaye isn’t resting on his laurels. In fact, he’s currently in the studio readying his second studio album. The long-awaited followup to Kiss Land doesn’t have a name or release date confirmed yet, but if you’re one to trust Wikipedia, it’s titled Chapter III and it’s set for release later this year. What’s solid is the lead single off said record: The Weeknd dropped “The Hills” on Wednesday, a characteristically moody track that he debuted live this spring at Coachella and SXSW.

The track, which originally went by the name “Mood Music,” is now available to purchase on iTunes and comes accompanied by an enthralling music video. In it, Tesfaye emerges from a bad car wreck, bloodied and disoriented. “I only love it when you touch me, not feel me / When I’m f*cked up, that’s the real me.” Those lyrics continue to peel back layers in order to shed light on his inner demons. The visuals mesmerize, too; after the car explodes into a fireball, Tesfaye stumbles upon an eerie mansion where he ends up in a creepy cliffhanger leaving fans salivating for more. Watch it all go down after the break.

What do you think of The Weeknd’s latest effort? Though his lyrics on “The Hills” resonate with themes that have come before, do you find his ever-improving sound straying too far from his original works? Plug in your ‘phones, take a listen, and sound off in the comments below. Continue reading The Weeknd continues his takeover and drops moody new single ‘The Hills,’ music video inside

Jimmy Fallon takes U2 undercover for surprise subway concert

Jimmy Fallon knows how to have fun with New Yorkers. After going undercover in silly disguises, The Tonight Show host and musical guest U2 busked in the 42nd St. subway station. “Guys, give monies to your local artists,” Fallon shouted in the subway. Watch as a small crowd starts to gather as U2 frontman Bono belts out a stripped-down version of the band’s gem “I Still Haven’t Found What I’m Looking For.” When Jimmy and the band ditch their disguises just in time for a performance of “Desire,” New York’s finest make cameos as the growing crowd erupts in total excitement. In case you missed the impromptu concert, see highlights in the video hanging above!

‘Nashville’ cast readies for eight-city spring concert tour

The cast of ABC’s country music drama Nashville is going on tour, again! An eight-city spring concert tour kicks off at the Beacon (not Deacon) Theatre in New York City on Wednesday, April 29 and it wraps in Phoenix on Sunday, May 10. Clare Bowen (Scarlett O’Connor), Chris Carmack (Will Lexington), Charles Esten (Deacon Claybourne), Aubrey Peeples (Layla Grant) and Lennon & Maisy Stella (Maddie & Daphne Conrad) will be performing at all venues. If you’re attending in NYC or Chicago, consider yourself lucky; Sam Palladio (Gunnar Scott) will make a special appearance in the Big Apple, and Jonathan Jackson (Avery Barkley) will stop in the Windy City. Tickets are on sale now mostly at Ticketmaster; jump after the break to view the venue list and additional ticket information.

“It is so exciting and rewarding to see our amazing cast blossom as live artists and be able to have that intimate relationship with our ‘Nashville’ fans,” said ABC exec Dawn Soler. “Taking ‘Nashville’ on the road, along with our ‘On The Record’ series, offers our viewers a complete and authentic experience.”

Continue reading ‘Nashville’ cast readies for eight-city spring concert tour

Discover new music: Lauriel beats to her own drum in ritualistic “Rival”

It’s about time we discovered new music together. Today’s featured artist is Lauriel, a 22-year-old singer-songwriter who just dropped her very first music video. The highly stylized clip for poppy “Rival” features Lauriel donning all kinds of fantastical pieces of wardrobe that you might find inside Lady Gaga’s closet. As soon as one Lauriel claims power amongst her tribal inner circle, another comes into play and takes over by violently taking out her predecessor. But what does it all mean? I spoke directly with the source:

Lauriel likens “Rival” to “Fight Club as a Greek tragedy.” Interestingly, she explains that her influences “are not necessarily musical and were more colors, and historical time periods, art, literature, and my own experiences.” The song is very personal for the young artist. “It’s about doubt and battling the voice in your head that tells you you can’t do something, or you’re not good enough. The bridge was a big moment for me because it’s me talking directly to that internal nay sayer–‘I’m in control here, I’ll survive and persevere without doubt but you can’t carry on unless I give you power to.’ That’s what the whole song is about, that power struggle. I think the video reflects that.”

With that said, Lauriel hopes viewers will watch the playful yet harrowing visuals and interpret it for themselves. “I wasn’t thinking about messages, I figured people would take what they want to from it,” she adds. “Some people will see it very literally, some will want it to open conversation about suicide, some people will see it as rebirth, throwing out the past and old selves that you don’t want to be anymore. I think it’s all accurate in a way, with art there’s generally no right answer. It’s just meant to make you feel and think.”

Whatever you make of it, there’s no denying its gripping vulnerability as Lauriel falls in and out of dramatized versions of herself. Concerning her musical talents, she says she grew up listening to British bands like Queen, The Beatles, and Sex Pistols, as well as old soul bluesy jazz types like Billie Holiday, Otis Redding, Etta James, and Aretha Franklin. She looked to these artists for inspiration when making the soulful, dramatic “Rival.”

Want to hear more from Lauriel? Visit her SoundCloud page to browse a mixtape that’s currently in early stages. Perhaps with positive feedback she’ll be further inspired to release more music that’s as raw and dynamic as what we’ve got here. In the meantime, Lauriel pursues a writing career in film and TV; do you think “Rival” could be a promising seed for a future feature? Sound off in the comments below!

Kid Cudi spreads the “love.” with new Ratatat-sampled track

It’s been a hot minute since Scott Mescudi released new music. Today, I’m enthused to report that the Kid Named Cudi is back with a fresh jam that sizzles with positive vibes and will have you feeling the best kind of nostalgia. In “love.,” Kid Cudi samples Ratatat’s track “Sunblocks”; the last time Cudder collaborated with the electronic rock duo’s music to this degree of perfection was back in 2009 with Man on the Moon’“Alive.”

What is “love.”? Sadly it doesn’t seem like it’s a single off Cudi’s anticipated Man on the Moon threequel that’s currently in the works. In a SoundCloud post, he shares that it’s a track that was made during his Satellite Flight: The Journey to Mother Moon sessions. It’s produced by Cudi, and his WZRD partner Dot Da Genius provided the keys.

With lyrics like, “Don’t be so down, come on young homie / You’ll be OK, you’ll find real love / All of the stories the hero gets lonely / Now is the time to show what you’re made of,” Cudi “hope[s] it brings you some peace if you have a lonely heart out there.” Get lost in it below.

Kanye West announces new album title, artwork & single “All Day”

This week Kanye West made a few major announcements regarding his upcoming seventh studio album: it’s got a title, new single, and fresh album artwork. Ye’s next collection of music is collectively called So Help Me God and it will ship with previously released tracks “Only One” (Featuring Paul McCartney) and “Wolves” (Featuring Sia and Vic Mensa). Sources say the Rihanna-led “Four Five Seconds” is exclusively bound for the Barbadian singer’s next record.

As for Ye’s third single off So Help Me God, it’s called “All Day” and he debuted it live at the BRIT Awards last week. Today, he released a studio version on iTunes; preview it above. If you’ve been missing Ye going hard, “All Day” is the answer to your prayers. The rapper spits lyrics on top of an infectious beat, and he’s assisted by Trinidadian-born alt-hip-hop artist Theophilus London, Canadian rising rapper Allan Kingdom, and yes, Sir Paul McCartney rounds the track out with some whistling. Rolling Stone reports McCartney’s contribution, and they astutely speculate that the whistling was actually plucked from a song the Beatle shared in 1969.

Lastly, scroll up to eyeball the stylistic album artwork for So Help Me God. Four lower-case m’s connect to form a diamond shape. Redditors say it’s representative of a 13th century monastic symbol for the Virgin Mary, but I don’t buy it until Kanye says otherwise.

When can we expect the album to drop in full? West recently sat down with Power 105.1 and he claimed that it’s 80% complete. And even when it is ready, a hard release date will not be announced. Following in the footsteps of Queen Bey and Drake, Ye plans on surprising his fans by dropping his next studio album without any notice.

If you consider yourself to be a major Kanye fan, or if you’re simply interesting in exploring the controversial rapper’s mind, I highly recommend you listen to the aforementioned interview in full, here. In it, he discusses everything from his award show interruptions to his design aspirations. When asked to describe his upcoming album, he said this: “My last album [Yeezus] was a protest of music…This album is about embracing the music and embracing joy and being of joy and being of service to the people. I just hope people like it and enjoy it.”

[Stream via 2DopeBoyz]

Kanye West collaborates with Adidas on new fashion line, outs Yeezy Boost & new music

After years of struggle, Kanye West is finally realizing his vision to create a fashion clothing line. It’s true; the rapper’s released sneakers and other footwear in the past. Way before his deal with Nike to produce the Air Yeezys, West teased a conceptual clothing line dubbed Pastelle but nothing ever really came of it. All we got was this cryptic website that still exists today, idle. Now his dream of creating and promoting and selling high-end apparel comes to fruition thanks to a new partnership with Adidas.

The Adidas line is called Yeezy Season 1 and the first tangible product to come out of the project is a new sneaker, the Yeezy Boost. Picture above, the new-generation Yeezy released this past Saturday in a grey-toned color way. The shoe is constructed with high quality full suede with a dynamic strap that wraps across a perforated vamp. West is rolling out his latest creation slowly–only 3,000 were made available over the weekend and in a forward-thinking move, he worked with Adidas to develop a reservation app. Instead of having sneakerheads lineup and fight over the footwear in the cold streets of NYC, a simple app allowed interested parties to reserve the shoe in their desired size. Missed out on that? The Yeezy Boost will see a second major retailer push on Feb. 28 at Adidas flagship stores, among other select, undisclosed locations. If waiting in line isn’t your style, your only other option at this point is eBay; the sneaker, which normally sells for $350, is offered on the auction site for upwards of $3,000. And if that doesn’t stimulate your senses, don’t fret–West has publicly stated that everyone who wants a Yeezy Boost will have the opportunity to buy one…eventually.

Get a closer look at the Yeezy Boost at Adidas’ dedicated portal. Want to sneak a peek at Yeezy Season 1? Jump after the break to watch models work the runway wearing Kanye’s concepts. It’s certainly an eclectic swing. West describes YS1 as “as the world’s first solutions-based clothing line that cherishes universality and timelessness.” Skip to 8:28 to hear a brand new track that debuted at the New York Fashion Week event; it’s called “Wolves” and it features an auto-tuned West, Chi-town up-and-comer Vic Mensa, and Sia. Continue reading Kanye West collaborates with Adidas on new fashion line, outs Yeezy Boost & new music

Drake drops surprise mixtape ‘If You’re Reading This It’s Too Late’

In total Queen Bey fashion, rapper Drake dropped a collection of new music last Friday pretty much out of nowhere. Fans and the industry alike had little to no knowledge about Drake’s surprise release, If You’re Reading This It’s Too Late. Drake has clearly labeled the 17-track banger a mixtape; in other words, it is not his fourth studio album following 2013’s Nothing Was the Same but instead a pit stop on the way to it. He refers to it as a “tape” in his thank you notes on his blog. There you’ll also eye the massive tracklist and the tape’s producers who include PartyNextDoor, Boi-1da, and Noah “40” Shebib. …It’s Too Late releases days after Drake outed a nearly 15-minute short film titled Jungle; it includes snippets of a couple songs from the mixtape.

Download If You’re Reading This It’s Too Late at iTunes today. Though Drake technically regards it as a mixtape, he’s selling it for $12.99. How come, you ask? In a nutshell, Lil Wayne is clashing with his label Cash Money. He’s suing them to get out of his contract, and some speculate that Drake is taking calmer route to remove himself from the equation by releasing a “commercial mixtape” to serve as his fourth “studio album” which may release him from his 4-album contract with the label. For more on the internal drama about the Cash Money artists, head to Vulture. In the meantime, snag a copy of Drake’s latest now–he goes hard and it’s damn good. The surprise tape should hold you over until his next major studio release, supposedly titled Views from the 6, drops in the future.

‘Nashville’s Lennon & Maisy Stella perform angelic “Boom Clap” cover

Before they were Maddie and Daphne Conrad in ABC’s country music drama Nashville, real-life sisters Lennon and Maisy Stella dominated YouTube with their massive collective talent by way of unique covers of popular songs. Their cover of Robyn’s “Call Your Girlfriend,” which has gained over 25 million views, is a personal favorite of mine. Though their musical uploads have slowed due to Nashville‘s popularity (the show is currently in its third season), by no means has their collaborative efforts ceased. Need proof? The girls, now aged 15 and 11, perform a stripped down version of Charlie XCX’s “Boom Clap” in the clip above which has already gone viral amassing over 3 million views in under a week. Lennon, the elder Stella, strums an electric sky blue guitar and beautifully harmonizes with her little sister. Together they magically transform a bass-heavy track into a sweet, angelic symphony. Enjoy.

Sam Smith rules the Grammys

Sam Smith, the new crooner on the street, expectedly dominated this year’s Grammys with multiple wins and a memorable performance of “Stay with Me” featuring Mary J. Blige. Smith took home four shiny gramophones. He was crowned Best New Artist, the aforementioned soulful, catchy track was named Record of the Year and Song of the Year, and his debut album In The Lonely Hour scored Best Pop Vocal Album. Elsewhere, Beck somehow managed to beat out Smith, Beyonce, Ed Sheeran, and Pharrell Williams and win Album of the Year for his twelfth studio album Morning Phase.

Click here to access the full list of winners.

North West stars in Kanye’s “Only One” music video

It’s fitting just how personal the music video is for Kanye West’s “Only One.” When the Paul McCartney-assisted track dropped earlier this month, West spoke out about how the “stream-of-consciousness riff” came to him; the lyrics are a spiritual message from ‘Ye’s late mother Donda West to his daughter North West (Nori for short). The rapper enlisted film directer Spike Jonze (HerWhere the Wild Things Are) to helm the music video, and it plays very much like a father-daughter home video; it’s adorable and it’s touching. Watch it here.

Death Cab for Cutie releases “Black Sun,” first song without founding member Chris Walla

Here’s your first taste of Death Cab for Cutie minus Chris Walla. The founding band member amicably parted ways with DCFC over the summer, and so this brand new single offers up the alt-rock band in a new light. No doubt, “Black Sun” still sounds like classic DCFC; frontman and lead singer Ben Gibbard remains the soulful face of the band. Fans will have to wait for nuanced differences to surface once their eighth studio album comes out; Rick Costey (a Muse, Franz Ferdinand, and Kimbra collaborator) replaced Walla as lead producer on it. Kintsugi, the followup to 2011’s Codes and Keys, drops March 31. Bassist Nick Harmer described the inspiration behind the album’s unique title to Rolling Stone: “It’s a Japanese style of art where they take fractured, broken ceramics and put them back together with very obvious, real gold. It’s making the repair of an object a visual part of its history. That resonated with us as a philosophy, and it connected to a lot of what we were going through, both professionally and personally.”

As a longtime Death Cab fan, it’s certainly sad to see Walla go after being a part of the band for 17 years, but it gives DCFC an opportunity to move forward in new directions and I’m glad that Gibbard and co. are taking it in stride. “This is an opportunity for the band to become something it could only become by losing a founding member,” Gibbard says. “It’s our goal to make records that rank amongst the best work we’ve ever done.”