Tag Archives: TCA

Fox: Jack Bauer is out in new ’24: Legacy’ & the brothers are back in ‘Prison Break’ revival

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When people ask me what shows turned me on to television in the first place, my go-to is and always will be: 24, Prison Break, and Lost. These are the pivotal franchises that made me fall in love with the box in my living room, and, well, the rest is history. Fast-forward so many years later, and two of the three are making major comebacks and I couldn’t be more excited.

Let’s start with 24. It debuted on Fox way back in 2001 and lasted for eight seasons and a TV movie. And then just last year, it resurfaced with star Kiefer Sutherland for limited event series 24: Live Another Day. Now, the network wants it to return again, but this time with an even bigger twist. In addition to forgoing the 24-episode format and skipping around some hours of one chaotic day, the newest incarnation of 24 bids farewell to Sutherland’s iconic hero Jack Bauer and introduces a new lead to save the day. That actor hasn’t been cast yet, but Fox says they are looking to fill the role with an African American actor.

Dubbed 24: Legacy, the tenth season in the ever-expanding counter-terrorism franchise serves as a reboot in that it doesn’t plan on incorporating familiar characters or settings. Jack and his right hand Chloe are off-limits this go-around. Here’s the official logline provided by Fox:

The pilot will feature an all-new cast of characters and retain the real-time, pulse-pounding, fast-paced format with split screens and complex interweaving storylines, with each episode representing one hour of an eventful day. The project will revolve around a military hero’s return to the U.S. and the trouble that follows him back – compelling him to ask CTU for help in saving his life, and stopping what potentially could be one of the largest-scale terror attacks on American soil.

“We wanted [the star] to be as different from Jack Bauer as possible, whether that’s an African American or a Latino actor,” elaborated Fox head Dana Walden at the Television Critics Association winter press tour. Co-head Gary Newman added, “As envisioned, the lead character would be diverse, so that will be our first effort in casting. As always, we’re going to cast the best actor we can find for the role. As you can imagine, bringing 24 back, we want to really try to create some distinction and make this feel different than Jack Bauer’s 24, so having a diverse actor in that lead role I think would be helpful in doing that.”

Another change coming to 24 is that the new hero will be sharing the day’s burden equally with a female co-lead. This female lead is a former head of CTU, and thus will serve as connective tissue to 24‘s past. Walden went on to briefly discuss Legacy‘s timely plot and how it plans on distancing itself from the 24 we know.

“It’s a new CTU, a new cast of characters,” she said. “It’s a completely different story in terms of the special ops groups that we’re focusing on. It’s a very contemporary feeling story about the potential to activate new sleeper cells in the United States and radicalizing Americans. It’s a whole new story. There are nods in the pilot to prior CTU agents, there are a couple photos that will feel reminiscent of the original, but no ongoing [returning] characters.”

Howard Gordon, Brian Grazer, Manny Coto, and Evan Katz, executive producers who worked on all previous seasons, return to EP Legacy. The pilot is on track to film this winter.

Update (1/18): Kiefer Sutherland responded to 24: Legacy at a Q&A panel hosted by TIFF Live and he had nothing but kind words to say about the series reboot. “I have said from the beginning that the real star of 24 is the idea, and I mean that wholeheartedly,” he gushed. “I have every faith they’ll do something cool and clever.” Later, when a fan asked about getting closure on Jack Bauer (at the end of Live Another Day he surrendered himself to the Russians), Sutherland admitted he doesn’t know if that will ever happen. “I have no idea if the [24] movie will ever happen, or Jack Bauer might end up finding his way into an episode one day and clarifying all of that, or ending all of that.” He promised he’d pass the sentiment along to 24 EP Howard Gordon the next time they meet. Watch Sutherland talk 24 here; the clip is cued up and ready to go.

Jump after the break to learn more about Prison Break‘s return. Continue reading Fox: Jack Bauer is out in new ’24: Legacy’ & the brothers are back in ‘Prison Break’ revival →

FOX renews ‘Gotham,’ ‘Empire’ & ‘Brooklyn Nine-Nine,’ discusses futures of ‘X-Files,’ ’24’ & ‘Prison Break’ (!)

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Days after renewing animated sitcom Bob’s Burgers for a sixth season, FOX is expanding its security blanket over three more of its series. Freshman Gotham and Empire, as well as sophomore sitcom Brooklyn Nine-Nine, will be back next fall to unspool new episodes. And this renewal news shouldn’t really come as any sort of surprise: the Batman origin story and the hip hop soap opera both performed well out of the gate with popular pilots; in fact, Empire‘s ratings went up in its second week which these days is a rare feat indeed. As for the Andy Samberg laugher, that series is comfortably enjoying its new digs on Sunday nights stuffed between The Simpsons and Family Guy.

What about the fates of other FOX shows such as Bones and Sleepy Hollow? “We are in conversations on both,” FOX studio and network head Dana Walden told reporters at the Television Critics Association’s Winter Press Tour this week. “We’re at the end of our deal on Emily Deschanel and David Boreanaz. We’re very hopeful Bones will return. We can’t announce it today because deals aren’t closed, [but] nothing will make us happier.”

As for Sleepy Hollow, Walden said the network is “going to wait a little bit longer” to renew it as creative calibrations are made behind-the-scenes. “We’re excited about some creative changes on the show and bringing it back to something that feels a little more episodic in nature, that has closure and doesn’t feel quite so serialized,” said Walden. In sum, the network would like the series to take the serialization down a couple pegs and “return the fun to it” that was rampant in season 1. That being said, worry not, Sleepy heads–Fox brass holds the show in a special place in their hearts and wants to see it grow. “We really love the show,” she added. “We love Tom Mison and Nicole Beharie. They have fantastic chemistry. We feel like it’s a really unique series.”

And now for the juicy stuff. Walden and network/studio co-head Gary Newman shed a glimmer of light on the futures of classic FOX series like The X-Files, 24, and yes, even Prison Break. For more, jump after the break. Continue reading FOX renews ‘Gotham,’ ‘Empire’ & ‘Brooklyn Nine-Nine,’ discusses futures of ‘X-Files,’ ’24’ & ‘Prison Break’ (!) →

More ‘Better Call Saul’ details emerge

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Breaking Bad‘s Vince Gilligan and Peter Gould showed up at this year’s TCAs to promote their next venture, spinoff Better Call Saul, and some interesting tidbits surfaced.

First off, the series is set in 2002; but like Breaking Bad, it will bounce around in time. “I think the best way to answer this is that you saw, from Breaking Bad, we like nonlinear storytelling,” shared Gilligan. “I would definitely point you in the direction of anything that is possible on Breaking Bad is possible on Better Call Saul. It’s fun for us to be as nonlinear as possible.” Also, when we meet Bob Odenkirk’s Saul Goodman in the pilot that won’t be his name; much like Walter White’s transformation into Heisenberg, viewers will witness Jimmy McGill’s transformation into Saul Goodman.

An official show description sheds some more light: “The series is set six years before Saul Goodman meets Walter White. When we meet him, the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is ‘fixer’ Mike Ehrmantraut, a beloved character introduced in Breaking Bad. The series will track Jimmy’s transformation into Saul Goodman, the man who puts ‘criminal’ in ‘Criminal lawyer.’”

Since the show will bounce around in time, there is a possibility for Breaking Bad favorites like WW to enter the fray. In fact, one Bad character in particular was discussed at the TCA panel: Giancarlo Esposito’s Gustavo Fring. On his potential to show up in Saul Gould said, “There’s always a chance, yeah…with Gus there is so much more to say about that character, and we certainly love Giancarlo. Having said that, we’re trying to make something that stands on its own that has an entertainment value that’s not just seeing a series of old favorites. It’s not the series equivalent of a clip show. So we try to balance these things out. But I agree there’s so much to be said about Gus — although in the series it always seemed to me that Saul didn’t know Gus directly. He knew a guy who knew a guy.”

Better Call Saul premieres on AMC in 2015. Eye two new images from the production above and after the break (below, that’s Odenkirk with Michael McKean who plays Saul’s brother Chuck in the series).

[Via Deadline; TVLine; EW] Continue reading More ‘Better Call Saul’ details emerge →

Mark your calendars: FOX sets a return date for ’24’

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24 fans, perk up! A new day is upon us. FOX resurrects 24 with series players Kiefer Sutherland (protagonist Jack Bauer), Mary Lynn Rajskub (Jack’s right-hand analyst Chloe O’Brien), Kim Raver (Jack’s former lover Audrey Raines), and William Devane (once US Secretary of Defense James Heller) on Monday, May 5 at 8PM. Like all proper 24 premieres, this special “event series” dubbed Live Another Day will have a two-hour launch and then the following Monday it will play out in 24‘s old 9PM timeslot.

The latest logline goes like this: “Set and shot in London, the suspenseful event series once again will follow the exploits of heroic agent Jack Bauer as he attempts to thwart an unthinkable terrorist attack that could change the world forever. Retaining the real-time, nail-biting, fast-paced format with split screens and interweaving storylines.

At the winter TCAs more details leaked out about the highly anticipated return of 24. The season takes place four years after the events that unfolded in season 8, and Jack is still on the run but this time in London. “He is still a fugitive who he has been hunted–and he is still hunted,” spilled EP Manny Coto. Yvonne Strahovski (Chuck) plays Kate Morgan, the CIA agent hunting down Jack. “Jack is not quite Osama Bin Laden, but he is someone to be captured,” continued the EPs. “And when Jack reenters the story on his own terms, we will learn he has a mission. Whether it’s good or dark we don’t know, but this CIA agent [Kate] is determined to catch him, and as she gets closer and closer to him, Chloe O’Brien reenters the picture.”

“Chloe and Jack are pitted against each other due to a set of circumstances,” revealed Sutherland at the press event. Turns out Chloe has “turned herself against the government” and it will take some convincing on Jack’s back to bring her back into the fold. “There is no Chloe without Jack,” remarked Rajskub, so I’m guessing it won’t take long to get to the happy reunion we’ve all been waiting for.

What else? When we reenter the world of 24 Devane’s James Heller is now President of the United States. And what of his daughter Audrey? “When we last left Audrey, she was in a very bad place with Jack, so [in the years that have passed] she has come out of the ‘wilderness.’ But the interesting thing will be, when Jack reenters the picture, how will she react to that?” pondered EP Evan Katz.

If you don’t have time to watch up on 24 between now and May it’s no problem according to EP Howard Gordon. “You can actually pick this series up without having seen Season 8, or any of the show at all,” he said. “The benefit of coming back four years later is that those four years need to be explained, so the exposition will not come off as exposition but a justified moment of characters catching up,” added Sutherland.

And of course there was discussion of the oft-rumored 24 feature film. “The script for the film is very, very different,” Sutherland shared. “[Live Another Day] was the opportunity that presented itself to us first, and it’s a fantastic idea. And if this ends up rebooting the show or causing the film to be made, so be it.”

Those’ll be words to make any 24 fan very, very enthused. Now here’s that date again: 24: Live Another Day premieres May 5 on FOX.

[Via TVLine; EW]

FOX announces new direction for ‘Glee’: it’s off to NYC!

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At the Television Critics Association winter press tour, FOX head Kevin Reilly made a major announcement regarding Glee‘s creative direction: the second half of the musical dramedy will be set exclusively in New York City. No more bouncing back and forth between William McKinley High in Lima, Ohio and Rachel, Kurt, and Santana’s loft in NYC. Reilly explained how the creative shift will work:

“Creatively, it would ridiculous if everybody moves to New York,” he said. “This season, there’s going to be a graduation [from McKinley High]. Several of the cast members will move on, and a few others will go to New York.” For those characters who don’t transfer over to the NYC setting, it won’t be the last time you ever see them. They “will arc back in when we do special episodes. They’ll always be a part of it. The way it’s going to dovetail next season, we’re going to see some familiar faces coming around in some capacity.”

Though Reilly and show creator Ryan Murphy are keeping mum on which characters will remain, there is one that will most definitely be staying. “As long as there’s a show, there’s Jane [Lynch],” commented Reilly; Sue Sylvester is coming to the city that never sleeps.

In closing, Reilly confirmed that the next season of Glee–it’s fifth–will be its last and that Murphy is already hard at work on what’s in store. “We do have [the show] through next season and that will be the final season,” said Reilly. “[Murphy’s] got some fantastic ideas on what we’re going to next year for the final year.”

Glee returns with new episodes on February 25.

[Via TVLine]

TCA 13: The CW’s Mark Pedowitz enjoys a “pretty good” fall, discusses the status of ‘Supernatural’ and others

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It may not be considered one of the big networks, but the Television Critics Association still allows The CW to get up and talk about its ratings performance and programming lineup. Network president Mark Pedowitz admitted, “We had a pretty good fourth quarter” noting his network’s 10 percent increase in total viewers. The net’s 18-49 and 18-34 demo numbers remained flat this fall. He blamed the Nielsen system for not fully tracking the number of viewers in the latter demo because it overlooks people tuning into shows using digital platforms. He shared that the network’s median age has risen to 41, something that NBC’s Bob Greenblatt laughed at during his TCA session. “I’d like to thank Bob for giving us a shout out for doing what we set out to do,” Pedowitz held firm. He set out for The CW to try and capture a wider audience across a younger and older generation of viewers. Now what you really want to hear about comes next; Pedowitz spent some time discussing the status of longrunning series like Supernatural, freshman shows such as Beauty and the Beast, and he also talked up new midseason entry The Carrie Diaries, a prequel to the hugely successful HBO series. It’s all after the break. Continue reading TCA 13: The CW’s Mark Pedowitz enjoys a “pretty good” fall, discusses the status of ‘Supernatural’ and others →

TCA 13: ‘Elementary’s Rob Doherty talks post-Super Bowl episode, introducing Moriarty and Irene Addler & taking a serial route

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Elementary, the CBS procedural inspired by Sir Arthur Conan Doyle’s tales of Sherlock Holmes, is the most watch new drama of the season. It’s doing so well, in fact, that the Eye has given it the plum post-Super Bowl slot this February 3. At the TCAs series creator and showrunner Rob Doherty (joined by stars Jonny Lee Miller and Lucy Liu and exec producers Carl Beverly and Sarah Timberman) discussed his excitement regarding this unique opportunity.

“It was a tremendous honor to get it as a first-year show,” Doherty said of the news. He said he hopes to “do our level best to keep the audience in their seats after the game.” The episode was made with potential newcomers and viewers from the beginning in mind. He understands that “It’s an incredible opportunity to expose the show to people who haven’t checked it out yet, and we took that into consideration when developing the episode.” He says the installment will tell “a story that we felt that not only was a good example of what the show could be, but also something that our viewers would have fun with.” A critic reminded him that the post-Super Bowl spot is one that pretty much guarantees the episode will attract “more people than anything you’ve ever done in your life — and if it works might result in you being set for life.” Doherty responded jokingly, “Well, now I’m stressed. Yes, I’ve felt all of those things. I mean, I’m stressed out all the time anyway. It’s hard to go from a 10 to an 11, but I did. Mostly what we felt was great excitement.” Continue reading TCA 13: ‘Elementary’s Rob Doherty talks post-Super Bowl episode, introducing Moriarty and Irene Addler & taking a serial route →

TCA 13: CBS’ Nina Tassler hopes for more ‘HIMYM’, ‘Two and a Half Men’, promotes summer schedule that includes Spielberg/King drama ‘Under the Dome’

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Today CBS was the last of the big four networks to take the stage at the Television Critics Association’s winter press tour. CBS entertainment president Nina Tassler didn’t spend much time talking about her network’s ratings and overall fall performance. Everyone knows that the Eye attracts the most eyeballs in terms of total viewers. After NBC’s Bob Greenblatt gloated about ranking #1 in attracting viewers in the coveted 18-49 demographic, Tassler responded with this. “I wouldn’t say there’s been much slippage [among 18-49],” she said. “We’re not a niche broadcaster. For us it’s still about getting everybody. Our advertisers are very pleased with our 25-54 numbers as well.” For the remainder of the panel, Tassler discussed the futures of long-running sitcoms How I Met Your Mother and Two and a Half Men, she commented on the subject of violence on TV (a hot topic these days), and she announced CBS’ summer schedule which includes a mysterious drama called Under the Dome from Steven Spielberg and Stephen King. By now you should know where the bullet-points begin: after the break. Continue reading TCA 13: CBS’ Nina Tassler hopes for more ‘HIMYM’, ‘Two and a Half Men’, promotes summer schedule that includes Spielberg/King drama ‘Under the Dome’ →

TCA 13: Creator Paul Scheuring aims to explore the human condition in his conspiracy thriller ‘Zero Hour’

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After watching the bizarre and slightly corny trailer for ABC’s upcoming conspiracy thriller Zero Hour, I must admit it made it sort of hard for me to recommend this midseason drama. The only elements pushing me to give it a try was that Prison Break creator Paul Scheuring is behind it and that revered actor Anthony Edwards (ER) stars. Today’s TCA panel pimping Zero Hour led by Scheuring and with some comments from Edwards has injected some much-needed confidence into me–it’s very high concept, it’s serialized to the core, and this show might just be an addicting thrill ride that educates and poses some lofty, intriguing questions about religion and history.

Briefly, Zero Hour stars Edwards as Hank Galliston, a publisher of a skeptics magazine, who has spent his career following clues, debunking myths and cracking conspiracies. But when his wife, Laila (Jacinda Barrett), is abducted from her antique clock shop by an international terrorist, Hank gets pulled into one of the most compelling mysteries in human history, stretching around the world and back centuries.

“The entire show is about the man or the woman beneath the identity,” Scheuring explained. “If you wear a Christian cross, are you automatically good? If you wear a Nazi armband, are you automatically bad? And that I think ultimately makes for more complex and interesting drama. All those different characters wear these different surface adornments, like Naziism, Christianity. But what’s the human beneath it?… I want to have a more sophisticated three-dimensional view of the characters as opposed to ‘Nazi! Bad!’ I mean, who cares?” After posing a hypothetical question ‘is the Christian God is real’ he stated, “Scientifically, that’s the question we are starting to ask as the season goes along.” (Along the same lines of he was stated earlier, he made a rather controversial statement when he said “The idea that all Nazis are bad is something we are exploring, 100 percent.”)

Scheuring shared, “There were two mandates: deliver something gigantic and make a spectacle.” Later he went on to admit, “There’s a fair amount of crazy in here.” Though critics are making comparions to the movies that star Tom Hanks as Robert Langdon, Scheuring was adamant, “We’re not the Da Vinci Code.” Continue reading TCA 13: Creator Paul Scheuring aims to explore the human condition in his conspiracy thriller ‘Zero Hour’ →

TCA 13: Melissa Rosenberg teases a satisfying run for ‘Red Widow’ with lots of potential for more

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In my humble opinion, unlike Zero Hour‘s trailer the one for Red Widow bodes well for the upcoming ABC drama from Melissa Rosenberg (Dexter, the Twilight saga) and starring Radha Mitchell. The show revolves around Mitchell’s character Marta Walraven, a stay-at-home mom who gets tangled up in a bloody and dangerous tale involving her husband’s death and organized crime. Specifically, she must assume the role of her organized crime husband Franklin after he is assassinated in a drug-related incident.

At the TCAs Rosenberg made it a point that if you tune in you will get answers to some of the series’ big questions that are introduced inside the string of the first season’s eight episodes. “Having learned from The Killing, we are answering the questions of who killed Franklin and where is the coke.” (If you didn’t know, there was a huge backlash when AMC’s The Killing failed to reveal the season’s murderer in the finale.) “The question of how Marta is going to get herself out of this is a series-long question. And each effort will lead to the continuing story line,” Rosenberg expanded.

Red Widow is based on the 2010 Dutch series Penoza. After a successful run, Penoza (which was originally deemed an eight episode mini-series) received an order for more episodes but its writers had killed off many the characters and so they had a harder time reinstating the show. Rosenberg is more than aware of this and said, “By the end of the season, we’ll have a satisfying answer to the season, but I’m not giving anybody up. I’m not killing everyone, and I’m not letting anyone off the hook. Some people die, but not all of them. For me, it’s all about building characters and relationships you can cling to for five or seven years.”

Rosenberg envisions Mitchell’s Marta to eventually transform into a dark, deeply flawed antiheroine. She said the character is inspired by such flawed characters as Breaking Bad‘s Walter White and Dexter‘s Dexter Morgan. “She could go as bad as Walter White,” she said. “We don’t go that far in the [first season], but there is definitely room to evolve.” Mitchell compared her character to Luc Besson’s creation in La Femme Nikita by describing Marta as “a character under duress. I always thought the character was iconic, and a kind of character I wanted to explore if I had one more character in my career.”

Red Widow premieres Sunday, March 3 at 9PM.

[Via Deadline; THR]

TCA 13: ABC’s Paul Lee comments on a so-so fall, expresses excitement for Joss Whedon’s Marvel series ‘S.H.I.E.L.D.’

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Following NBC and FOX, ABC entertainment president Paul Lee took the stage at the TCA winter press tour to grade his network’s fall season and discuss the future. “We have a lot to shout about, and we also have a lot to do,” is how he kicked off the conversation.” He also said, “We were disappointed there weren’t any big breakout hits on broadcast, including ABC.” I guess he opted to ignore NBC’s Revolution when he went with that self-deprecating jab. He expressed concerns with cancelled dramas like Last Resort and 666 Park Avenue and the faltering Dancing with the Stars, but he also praised low-rated comedies Happy Endings and Don’t Trust the B—- in Apartment 23 and shared his excitement for Joss Whedon’s Marvel series S.H.I.E.L.D. For the full scoop see the bullet-point breakdown after the break. Continue reading TCA 13: ABC’s Paul Lee comments on a so-so fall, expresses excitement for Joss Whedon’s Marvel series ‘S.H.I.E.L.D.’ →

TCA 13: Mitch Hurwitz reveals new storytelling format for ‘Arrested Development’ revival

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Now this is what you’ve been waiting for: more details to come out of the Arrested Development revival. Today at the TCAs series creator Mitch Hurwitz led a panel that included most of the brilliant ensemble cast–namely, Jason Bateman, Will Arnett, Portia de Rossi, Michael Cera, Jessica Walter, Alia Shawkat, and Jeffrey Tambor. David Cross and Tony Hale, unfortunately, were not present. Hurwitz is still keeping a heavy veil of secrecy on top of the plot, but he did manage  to shed some light on what viewers can expect in the new batch of episodes in terms of how they will play out.

Before we get to that, though, the most important news to come out of the panel: Arrested Development premieres on Netflix this May and all 14 episodes (the original order was 10, so this is a more-than-welcome surprise) will go live and be available on Netflix Instant streaming at once. Like installments from its original run, episodes will come in at just under 30 minutes and even though it wasn’t a requirement, curse words will be silenced with the famous Development bleep. So, still no hard date, but May is the month.

It leaked months ago that the new episodes would feature a new storytelling format, and today Hurwitz confirmed and explained the changes. “The only way we could get everyone together for what we’ll call, loosely, an anthology series, was to dedicate each episode to a different character’s point of view,” he said. “That became a fun, entertaining challenge, because we started finding out that the stories would intersect. It’s kind of an evolution of the storytelling that was necessary.” Essentially, viewers should not expect scenes that include all of the Bluths interacting with each other at once. In the old days, such scenes were typically the best ones; stuffing all the Bluths under the same roof made for some classic moments. But Hurwitz is quite confident that the new format will provide equally hilarious moments for fans to discover. “So, you’ll see a scene in one [episode], and then you’ll see a scene again from the other perspective [in another episode] where you’ll get all this new information,” he explained further. De Rossi shared an example without giving too much away. In her character Lindsay’s episode, “We had a great scene where I interpreted my mother’s tone as sarcasm,” she said. “But [we later see in someone else’s episode] she intended something entirely different.” Bateman chimed in as well. “Everybody sort of intermingles throughout each individual person’s episode. There’s plenty of the regular cast that filters through there. But it is a ‘Lindsay’ episode or a ‘Gob’ episode that we guest star in.

So much more after the break. Continue reading TCA 13: Mitch Hurwitz reveals new storytelling format for ‘Arrested Development’ revival →